Available paper

Please note that some of the low demand paper stock is only available upon request. We are always receptive to include new options in our list of available paper. If you need to confirm availability of a specific paper, feel free to get in touch with us

We always use the most adequate ICC profiles when printing with commercially available inkjet media. For the remaining media, such as offset uncoated paper or Japanese hand-made paper, we take advantage of many years of experience in inkjet printing to make the right technical decisions that will push your artwork to the next level. 

You can download our PDF price list here.


MUSEUM STANDARD
Archival Acide Free Fineart Paper
Giclée group I

Quality and longevity, for those looking for quality without compromise.

A selection of pure cotton or alfa-celulose acid and lignin-free paper, offering true museum standard archival properties (ISO 9706). A special inkjet coating makes these option perfectly optimised for the needs of all FineArt applications, boasting vivid colours, deep blacks and extraordinary reproduction of detail.

Matt finish

  • Hahnemuhle PhotoRag Bright White 310g: 100% cotton, smooth surface, bright white base, more info
  • Hahnemuhle PhotoRag 308g: 100% cotton, smooth surface, natural white base, more info
  • Hahnemuhle Bamboo 290g: 90% bamboo + 10% cotton, textured surface, warm white base, more info
  • Hahnemuhle Museum Etching 350g: 100% cotton, smooth surface, natural white base, more info
  • Hahnemuhle German Etching 310g: 100% alfa celulose, textured surface, natural white base, more info
  • Hahnemuhle William Turner 310g: 100% cotton, textured surface, warm white base, more info

Gloss finish

  • Canson Infinity Platine Fibre Rag 310g: 100% cotton, smooth surface, bright white base, technical sheet
  • Canson Infinity Baryta 315g: 100% alfa celulose, smooth surface, natural white base, technical sheet
  • Hahnemuhle PhotoRag Baryta 315g, 100% cotton, smooth surface, natural white base, more info
  • Innova Fibaprint 300g, 100% alfa-celulose, smooth surface, warm white base, technical sheet 

COLLECTOR STANDARD
Archival Acide Free Fineart Paper
Giclée group II

Quality and longevity without ISO certification, high quality acid-free paper with discounted prices.

XYZ branded paper is a true acid-free archival media made from pure cotton or alfa celulose. Produced by Hahnemuhle factories in Europe for XYZ Prints, this paper group, despite carrying no ISO 9706 certification, is the best option for those looking at achieving perfect results at lower cost when compared to the Museum standard group.

Matt finish

  • XYZ Cotton Radiant White 270g: 100% cotton, smooth surface, bright white base, technical sheet
  • XYZ White Velvet 270g: 100% cotton, slightly textured, natural white base, technical sheet

Gloss finish

  • XYZ Baryta 300g, 100% alfa-celulose, smooth surface, natural white base, technical sheet

EXHIBITION STANDARD
Standard Photographic Paper

Suitable for everyday use or for temporary events, this paper group offers superb color rendition and definition. Despite lacking museum-standard archival properties, it can be the best choice for exhibition display or pop-up events where print longevity and conservation is not the most important issue.

Matt finish

  • Hahnemuhle Studio Enhanced 210g: 100% alfa celulose, smooth surface, bright white base, technical sheet

Gloss finish

  • Epson Luster Photo Paper 260g: resin coated smooth surface, bright white base, more info
  • Hahnemuhle Photo Luster 260g: resin coated smooth surface, bright white base, technical sheet
  • Hahnemuhle Photo Glossy 260g: resin coated smooth surface, bright white base, technical sheet

UNCOATED STOCK

double sided sheets

Uncoated paper lacks the special coating surface that allows pigment inks to sit and dry predominantly on the paper's surface, resulting in prints with reduced contrast and shadow detail (dot gained effect), at least when compared to their coated counterparts. However, for some, uncoated paper might just the right choice: the apparently less exciting technical aspects of this kind of media can be easily compensated by the paper's unique touch and texture, not to mention its tolerance to wear.  One of the main reasons to use uncoated stock is the possibility to print on both sides of the paper. Traditionally used in large-scale offset printing, uncoated paper can be the perfect choice for those printing artist books and small print-run editions. It also works beautifully with posters, b&w imagery and lustrations. Not suitable for outdoors' use.

  • Artic Paper Munken Pure 150g and 240g: smooth surface, warm white base, more info
  • Artic Paper Munken Lynx 150g and 240g: smooth surface, natural white base, more info
  • Fedrigoni Arena Natural Rough 170g and 250g: slightly textured surface, natural white base, more info

JAPANESE WASHI

single sided sheets

Japanese Washi paper is generally better suited for b&w printing. Please note that the non printing side of each piece of paper will often show marks of the bamboo racks on which the paper sheets have dried on.

We offer two kinds of Washi that has been sourced, in very small amounts, from small printing houses and binding studios in Japan.

  • Gampi, aprox 100g, warm yellowish base, made in Northern Japan, Japan
  • Koso, aprox 80g, natural white, slightly textured, handmade in Northern Japan, Japan